A choreographic journey into the universe of karaoke, where emotional exuberance meets self-reinvention. Orchestre Vide, longing for you is an ode to vulnerability, embraced as a powerful force for connection and community.

How do we perceive the world through our skin? Lucie Yerlès and her team present a rich sensory experience that blends circus, theatre and dance.

How does a woman narrate the violence she has gone through, when her name, her face, her faith — everything about her — precedes her own words? She speaks, but her voice is already drifting elsewhere. She is taken away, displaced, loaded with what she hasn’t said. Her own story becomes a battleground

In this one-woman show, Geneviève Damas delves into the question of money—or rather, the ability to spend it. Based on her own family history, the actress investigates her truth and seeks to understand how a simple daily incapacity reflects the marks that History leaves on human destinies.

With its unique voice, the Venedig Meer company creates a colourful visual universe where the meeting of science and the intimate invites us to look at our surroundings in a different light. A journey that is at once gentle and lucid, and one that allows us to perceive the creative power of human emotions as well as that of natural phenomena.

Inspired by the universe of certain graphic novels, the company Fany Ducat proposes in Harmony a mosaic narrative. The show transports us to the daily mechanisms of a group of individuals before an event upsets their habits.

What remains of a performance once the final applause has died away? On 25 June 1946, the premiere of the ballet Le Jeune homme et la mort, conceived by Jean Cocteau and choreographed by Roland Petit, took place. Sixty years later, Olga de Soto has chosen, not to reconstruct the work, but to collect its echoes.

In this funny and uplifting solo performance, Lucile Charnier tenderly explores the unspoken truths that emerge when illness enters a family, reminding us that when life gets challenging, laughter remains possible.

With a laptop, a few family videos and the power of the stage, Agathe Yamina Meziani sets out to explore a territory that is at once close and distant: Kabylia, her father’s homeland. Drawing on family archives and memories gathered in the course of her research, she pieces together a personal narrative where memory moves between fiction and reality.

How could we summarize and cover 250 years of colonialism in Palestine in one hour without getting overwhelmed? How can we defend ourselves against the current attempt to deny people’s existence? This is what “Ravage tout court” tries to do by using the tools of theatre.

Through the eyes of a child, Une traversée addresses the absurdity of our war-torn, collapsing world. Based on Lewis Caroll’s Through the Looking-Glass, the performance marries this marvellous tale with the technical prowess and emotional power of Cie Tchaïka.